Compiled by LG Nilsson, Seabear Studios, Stockholm, Sweden
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Commercial red, white & blue label design
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First series had many different colours
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Differen B-side on second release
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| Mah's was a subsidiary of D-Town and owned by Mike Hanks. The label was in operation from 1965 to 1967 | |||||
| LABEL | NUM | S | ARTIST | TITLE | DATE |
| Mah's | 000.1 | A | Egyptians | Inkster Boogie | 1960 |
| Mah's | 000.1 | B | Egyptians | The Party Stomp | 1960 |
| Mah's | 000.2 | A | Billy Kent & The Andantes | Take All Of Me | 1960 |
| Mah's | 000.2 | B | Billy Kent & The Andantes | Your Love | 1960 |
| Mah's | 000.3 | A | Mike Hanks | The Hawk | 1961 |
| Mah's | 000.3 | B | Mike Hanks & The Del-Fi's | When True Love Comes To Be | 1961 |
| Mah's | 000.4 | A | Mike Hanks And The Del-Phis | I Think About You (Part 1) | 1961 |
| Mah's | 000.4 | B | Mike Hanks And The Del-Phis | I Think About You (Part 2) | 1961 |
| Mah's | 000.5 | A | Jimmy Green | Hey Little Girl | 1962 |
| Mah's | 000.5 | B | Jimmy Green | A Girl Of Mine | 1962 |
| M.R.C. | 000.6 | A | Renaldo Jackson | The Congolese Tip | 1962 |
| M.R.C. | 000.6 | B | Renaldo Jackson | My Bonnie | 1962 |
| Mah's | 000.7 | A | Larence Faulkcon And The Sounds | My Girl And My Friend | 1962 |
| Also released on Check-Mate 1004-A. | |||||
| Mah's | 000.7 | B | Larence Faulkcon And The Sounds | Why Should We Hide Our Love | 1962 |
| Also released on Check-Mate 1004-B. | |||||
| Mah's | 000.8 | A | Leaping Flames | Dance Social | 1962 |
| Mah's | 000.8 | B | Leaping Flames | Sider Spider | 1962 |
| Mah's | 000.9 | A | Lee Rogers | Walk On By | 1962 |
| Mah's | 000.9 | B | Lee Rogers | Troubles | 1962 |
| Mah's | 00010 | A | Big Jack Reynolds | You Don't Treat Me Right | 1962 |
| Mah's | 00010 | B | Big Jack Reynolds | Made It Up In Your Mind | 1962 |
| Mah's | 00011 | A | Don Heart | Miss V.I.P. | 1963 |
| Mah's | 00011 | B | Don Heart | Just Say You Care | 1963 |
| Exit | 00012 | A | Paragons | Pretty Words (That's What I Want To Hear) | 1963 |
| Exit | 00012 | B | Paragons | My Time Is Important To Me | 1963 |
| Exit | 00013 | A | Smith Mack | Cindy | 1963 |
| Exit | 00013 | B | Smith Mack | My Apology | 1963 |
| Mah's | 00014 | A | Mike Hanks & The 5 Senators | J.F.K. Part One | 1963 |
| Mah's | 00014 | B | Mike Hanks & The 5 Senators | J.F.K. Part Two | 1963 |
| Exit | 00015 | A | Eddie Willis and The Starmakers | Shake Loose | 1963 |
| Exit | 00015 | B | Eddie Willis and The Starmakers | Answer Me | 1963 |
| Mah's | 0015 | A | Royal Ravens | Grand Spanish Lady | 1963 |
| Mah's | 0015 | B | Royal Ravens | All Over You | 1963 |
| Mah's | 1037 | A | Magic Tones | Together, We Shall Overcome | 1968 |
| Mah's | 1037 | B | Magic Tones | Fun To Be Young | 1968 |
| Record released with two different B-sides. First release. Also released on Solid Hit 108-A. | |||||
| Mah's | 1037 | A | Magic Tones | Together, We Shall Overcome | 1968 |
| Mah's | 1037 | B | Magic Tones | It's Better To Love | 1968 |
| Record released with two different B-sides. Second release. Distributed by Ric-Tic Records. Also released on Solid Hit 108-B as "It's Better To Love (And Lose Than Not To Love At All)". | |||||
| Mah's | 1038 | A | Magic Tones | Let's Let Our Love Roll On | 1968 |
| Mah's | 1038 | B | Magic Tones | There Is Nothing Better Than Love | 1968 |
| Distributed by Ric-Tic Records. | |||||
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Commercial gold and gray label design
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Commercial red and black label design
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Commercial green & black label design
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